Edition Filmmuseum

Artists in the Big Top: Perplexed: Like her father before her, the circus director Leni Peickert wants to show off high-class artistic performances. Yet she still feels naturalness to be her ideal. Her innovations cause the business to declare bankruptcy. Circus and revolution are radical forms of self-realization. Leni Peickert and her elephants try hard. "Utopia gets better and better as we wait for it." The Indomitable Leni Peickert: The circus director continues to pursue her activities. Circus in winter. Bitter times. "The almost insoluble task is to let neither the power of others, nor our own powerlessness, stupefy us." (T.W. Adorno). The 2-disc DVD also offers a 1970 TV discussion with Alexander Kluge, screenplay drafts and stories about elephants.

Yesterday Girl is about Anita G., a young girl, whose parents are picked up one morning during the time of the Third Reich. She comes from the East and now freezes her way through the West. Three times Germany. In Parttime Work of a Domestic Slave, Roswitha Bronski is a married mother of three at the centre of the protest movement. She finds her plans for social change are easier to realize outside family life. Two films by Alexander Kluge, both starring his sister Alexandra Kluge. Pictures, stories, quotes, documents and scenes which mark the beginning pof the New German Cinema and reflect the West German society of the 60s and early 70s. The 2-disc DVD also offers texts and short films by Alexander Kluge related to the two feature films.

Vom Reiche der sechs Punkte is an unusual silent film, produced far away from the film studios in Berlin and Munich. The story deals with a steel worker who looses the sight of his eyes and has to accept his fate. The film shows in unique documentary pictures the work and life in the homes for the blind in Cologne, Neuwied and Düren. The Filmmuseum Muenchen has restored the only surviving tinted and toned print of the film which was found in the collection of the Finnish Film Archive.

2-disc DVD about the origins of the cinema. Dogs playing the pianos, contortionists defying the pain limits, handcoloured serpentine dances: attractions and sensations characterize the travelling cinema of the fairgrounds in the beginning of the 20th century. Rarities from the trasure chests of the European film archives ranging from Danish anarchistic slapstick and Scottish X-ray films to French erotic piquancies and a wild chase through Brussels caused by a leopard. Local films from the region Luxembourg, Trier and Saarbrücken resent a forgotten genre which was, in its days, another crowd puller in travelling cinema: Filmed local events and scenes depicting the local people who would then pay to see themselves in "living photographs" on the big screen.

Four documentary filmmaker, four talks, four key players of the German documentary film movement since the 60s: Jürgen Böttcher, Volker Koepp, Peter Nestler und Klaus Wildenhahn. Each of them has developed an own approach and a personal style. Christoph Hübner, a documentary filmmaker himself, succeeds in portraying four very different personalities, their works and their theories. The intimate talks with the filmmakers are illustrated with clips of their films.

A highly amusing court-room play full of unexpected turns in the plot and brilliant dialogue, Hokuspokus is the last film written by and starring Curt Goetz. He plays a lawyer who defends a widow, who is suspected to have murdered her husband. The end is more than a surprise. Very well directed by the master of the light comedy Kurt Hoffmann, the stage play is turned into an entertaining film which is beautifully photographed by cinematographer Richard Angst. The DVD offers the restored original version as well as a radio plays by Curt Goetz, original trailers of the Curt Goetz post-war films, and interviews with Curt Goetz and Valerie von Martens.

The firmly rooted ethics of a very proper school "professor" are awfully tempted when his sister, the "black sheep" of the family, sends from her exile in Montevideo an offer for the oldest daughter, which is utterly immoral, thoroughly despicable, yet hard to refuse. Curt Goetz understood how to write comedy and how to play the parts to perfection. His film was the top hit of early post-war German cinema. The beautifully restored original version is added by an interview with Valerie von Martens, co-director, main actress and wife of Curt Goetz.

In the face of two world wars, Professor Prätorius, a philanthropist and a surgeon, wants to exterminate the one danger to mankind, the microbe of stupidity, as he states in a spontaneous lecture to his male and female students. When he tries to help a pregnant girl he gets involved more and more in her life and is forced to marry her. The melodramatic comedy was the first film by Curt Goetz after his return from America and a top hit in post-war German cinema. The DVD presents the restored original version as well as a radio play by Curt Goetz from 1947 and an interview with Valerie von Martens, his wife who performed with him in all his films and radio plays.

One of the best German film comedies from the 30s: Lord Cavershot is totally obsessed by the historic Napoleon. His wife feels neglegted. Cavershot's participation in an international congress about Napoleon becomes his personal Waterloo. The DVD offers the newly restored version of the directorial film debut of Curt Goetz as well as a TV feature about him and an interview with his wife Valerie von Martens.

A film editor's work is as essential as it is invisible. Its outcome, the finished film, is the result of weeks of concentrated labor. Frequently, in documentary filmmaking, the work's narrative structure is mainly shaped in the editing process. The editor functions as co-author, juggling and organizing the raw material at hand, and structuring the material according to principles of space and time, rhythm and composition. This extensively supplemented 2-disc DVD explores this process in a documentary feature by filmmaker Gabriele Voss, a film editor in her own right. Renowned editors, a brain researcher, as well as writer-director Alexander Kluge, talk about their work, oscillating between craft and art. Selected film clips illustrate the techniques and tricks that make up the magic of film montage.