Silent movies

One of the first gay-themed films in the history of cinema, Anders als die Andern / Different from the Others (1919) was banned at the time of its release and was believed lost. Using recently discovered film segments, still photos and censorship documents from different archives, Filmmuseum München has resurrected this truly groundbreaking silent film. The 2-disc DVD also offers a new restoration of the anthology Gefahren der Liebe / Laws of Love (1927) for which Hirschfeld himself re-edited a short version of Anders als die Andern, as well as Geschlecht in Fesseln / Sex in Chains (1928), a feature film about the sexual hardships of prisoners which was promoted by Hirschfeld.

Walther Ruttmann is a pioneer of modern multimaedia art. His first short films are unique experiments with forms, rhythm and colors, his innovative commercials connected abstract animation art with concrete messages. The symphonic documentary Berlin, die Sinfonie der Großstadt is one of the most famous silent cassics, the travelogue Melodie der Welt became the first German sound feature film. With the radio play Weekend Ruttmann created the first "sound film without images" while his sound short In der Nacht transforms music to images and is a prototype of modern music videos. The 2-disc DVD combines for the first time all surviving works by Walther Ruttmann from 1920-1931 in newly restored and reconstructed versions, often with original scores. It also includes lobby cards, posters, programs and text documents as well as little known paintings and drawings by Ruttmann.

Erich von Stroheim's directorial debut is set in the alpine scenery of South Tyrol. It still baffles its audiences through its precise visual language and its moral ambiguity. This edition presents the film in its gorgeous tinted Austrian release version, Die Rache der Berge (Blinde Ehemänner) / The Revenge of the Mountains (Blind Husbands), featuring German language intertitles. This print of the film is the longest and oldest version available today. Extras include additional materials from the Austrian Film Museum's Stroheim collection.

2-disc DVD about the origins of the cinema. Dogs playing the pianos, contortionists defying the pain limits, handcoloured serpentine dances: attractions and sensations characterize the travelling cinema of the fairgrounds in the beginning of the 20th century. Rarities from the trasure chests of the European film archives ranging from Danish anarchistic slapstick and Scottish X-ray films to French erotic piquancies and a wild chase through Brussels caused by a leopard. Local films from the region Luxembourg, Trier and Saarbrücken resent a forgotten genre which was, in its days, another crowd puller in travelling cinema: Filmed local events and scenes depicting the local people who would then pay to see themselves in "living photographs" on the big screen.

The Georgian-born filmmaker Michail Kalatozov (19031973) is best remembered for directing some of the most innovative and successful Soviet films of the 1950s and 1960s. This DVD presents digitally restored versions of two of his lesser-known, early works, which were highly controversial in their time but now rank among the finest achievements in Soviet silent cinema. SALT FOR SVANETIA is an austere depiction of peasant life in the inhospitable terrain of the Caucasus Mountains. NAIL IN THE BOOT, a biting parable of wartime irresponsibility, chillingly prefigures the later Stalinist purge trials. Günter Buchwald's and Stephen Horne's prize-winning scores and the experimental accompaniment by Masha Khotimshi underline the poetic and expressive visual style of these exceptional masterpieces.

Two German silent classics dealing with soccer: Die elf Teufel (The Eleven Devils) starring Gustav Fröhlich (Metropolis) and König der Mittelstürmer (King of the Centre Forwards) starring Paul Richter (Die Nibelungen) which survived only in one print with some severe nitrate deteriotation. Both films are supplied with new music accompaniments and with subtitles in different languages. An early film document showing the 1924 soccer game Germany-Italy is added as a special feature to this 2-disc edition.

Since 1920 artist, photographer, and filmmaker Ella Bergmann-Michel lived and worked at the "Schmelz", an old paint mill near Frankfurt on Main. With guests such as Kurt Schwitters and László Moholy-Nagy the house became an important locale for modern artists. Between 1931 and 1933 she made five documentary films that constitute a rare example of socially involved and equally artistic film. The DVD contains these five films, a documentary film about the artist and a comprehensive booklet with essays on Ella Bergmann-Michel's films.

Die freudlose Gasse (The Joyless Street) is not only one of the most important films of the Weimar Republic, it is also one of the most spectacular censorship cases of the era. The story from the inflationary period in Vienna in the years immediately after World War I was considered too much of a provocation: nouveau riches currency and stock market speculators who wallow in Babylonian luxury, homeless and unemployed Lumpenproletariat living in barns, women who sell their souls for a bit of fresh meat at the butcher's, sexual orgies, bordellos and murders. This unique 2-disc DVD set offers the improved most complete restored version of the film as well as a lot of additional material including an excellent documentary about the life and work of G.W. Pabst.

A silent film about the youth of the leading German 18th century dramatist, poet, and literary theorist Friedrich Schiller (1759-1805). In 1773 he had to leave home and spent miserable years under strict discipline at the military academy of The Duke Karl Eugen, which only strengthened his longing for freedom. His first play "The Robbers" (1781) spoke of the ideas of liberty and became a landmark in German theatrical. The Filmmuseum München has now carefully restored a film that for a long time was believed to be lost. Following the conventions of the silent movie era, the positive was tinted and furnished with two new piano scores.

Asta Nielsen, born in Denmark in 1881, was the first diva of European silent film. As early as 1913, in Die Filmprimadonna, Asta Nielsen acts the role of a star fighting for increased influence on the entire production process. To realize her artistic vision she founds her own company Art-Film in 1920. Hamlet, produced that same year, survived only in a b&w US export version. In 2005 a coloured vintage print of the lost German original version of 1921 was discovered. The restored film had its premiere at the Berlinale in 2007, with new musical accompaniment composed by Michael Riessler. The 2-disc DVD set also includes documentation of the production history of Hamlet, the restoration process and rare an Asta Nielsen home movie compilation.