German films

Yesterday Girl is about Anita G., a young girl, whose parents are picked up one morning during the time of the Third Reich. She comes from the East and now freezes her way through the West. Three times Germany. In Parttime Work of a Domestic Slave, Roswitha Bronski is a married mother of three at the centre of the protest movement. She finds her plans for social change are easier to realize outside family life. Two films by Alexander Kluge, both starring his sister Alexandra Kluge. Pictures, stories, quotes, documents and scenes which mark the beginning pof the New German Cinema and reflect the West German society of the 60s and early 70s. The 2-disc DVD also offers texts and short films by Alexander Kluge related to the two feature films.

One of the first gay-themed films in the history of cinema, Anders als die Andern / Different from the Others (1919) was banned at the time of its release and was believed lost. Using recently discovered film segments, still photos and censorship documents from different archives, Filmmuseum München has resurrected this truly groundbreaking silent film. The 2-disc DVD also offers a new restoration of the anthology Gefahren der Liebe / Laws of Love (1927) for which Hirschfeld himself re-edited a short version of Anders als die Andern, as well as Geschlecht in Fesseln / Sex in Chains (1928), a feature film about the sexual hardships of prisoners which was promoted by Hirschfeld.

It was Veit Harlan, the protégé of Joseph Goebbels and the director of the anti-Semitic propaganda film Jew Suess, who dared to do a film about a controversial taboo in 1957: the German penal code's Paragraph 175 which sentenced German homosexual men to jail terms for "unnatural vice between men." Anders als du und ich (Different from You and Me) is not only a film about homosexuality, it also deals with the rebellion of young people against the restorative Germany after the Second World War and with the problems of a mother who broke the law to do "the right thing". The DVD contains the censored version as well as a comparison with the original version Das dritte Geschlecht (The Third Sex), a cut scene and production stills.

The last films for cinema by Alexander Kluge. Both tell about a dozen stories which complement one another by creating a context. The Blind Director: A young doctor feels that she is redundant. People hurry around. A family sits in front of the computer as if it were a fire in the hearth. A kindergarten teacher is supposed to turn a child over to its legal guardians. The blind director. The present becomes inflammed. Without prior events, the future and particularly a sense of the possible, there is no reality. Miscellaneous News are on the last page of the newspapers. With little oversight from editorial offices but with great emotional fuel. The 2-disc DVD also offers a talk with Alexander Kluge and Jean-Luc Godard as well as new one-minute films by Alexander Kluge.

Artists in the Big Top: Perplexed: Like her father before her, the circus director Leni Peickert wants to show off high-class artistic performances. Yet she still feels naturalness to be her ideal. Her innovations cause the business to declare bankruptcy. Circus and revolution are radical forms of self-realization. Leni Peickert and her elephants try hard. "Utopia gets better and better as we wait for it." The Indomitable Leni Peickert: The circus director continues to pursue her activities. Circus in winter. Bitter times. "The almost insoluble task is to let neither the power of others, nor our own powerlessness, stupefy us." (T.W. Adorno). The 2-disc DVD also offers a 1970 TV discussion with Alexander Kluge, screenplay drafts and stories about elephants.

Walther Ruttmann is a pioneer of modern multimaedia art. His first short films are unique experiments with forms, rhythm and colors, his innovative commercials connected abstract animation art with concrete messages. The symphonic documentary Berlin, die Sinfonie der Großstadt is one of the most famous silent cassics, the travelogue Melodie der Welt became the first German sound feature film. With the radio play Weekend Ruttmann created the first "sound film without images" while his sound short In der Nacht transforms music to images and is a prototype of modern music videos. The 2-disc DVD combines for the first time all surviving works by Walther Ruttmann from 1920-1931 in newly restored and reconstructed versions, often with original scores. It also includes lobby cards, posters, programs and text documents as well as little known paintings and drawings by Ruttmann.

The 2-disc DVD set presents new restored versions of two rare classics by Werner Schroeter connecting private stories with history: Der Bomberpilot tells the story of three eccentric women in Germany during the Nazi period who try to become show stars in America after the war. Nel Regno di Napoli is a chronicle of post-war Italy told from the perspective of a Neapolitan family. Additional features are an interview with Werner Schroeter by Gérard Courant, a video showing Werner Schroeter in a talk with the audience at the Austrian Filmmuseum, and stills from the shooting of Nel Regno di Napoli by Digne M. Markovicz.

Germany in Autumn: Germany in 1977, the Red Army Faction (RAF), Mogadishu, the prison in Stammheim, the murder of Hanns-Martin Schleyer. A film collage capturing the emotions of these events. "The closer you look at a word, the further it looks back: Germany." The Patriot: The story of Gabi Teichert (played by Hannelore Hoger) who had already begun to dig around in search of the roots of German history in Germany in Autumn. In daily school life, at the party convention of the Social Democrats (SPD), on the Day of Penance and during Advent: She remains stalwart on her quest for a republic, for which the trouble is worth it. The 2-disc DVD also offers short films by Alexander Kluge and his book "The Patriot".

Four documentary filmmakers, four talks, four key players of the German documentary film movement since the 60s: Hans-Dieter Grabe, Elfi Mikesch, Harun Farocki und Thomas Heise. Each of them has developed an own approach to filmmaking and a personal style. Christoph Hübner, a documentary filmmaker himself, succeeds in portraying four very different personalities, their works and their theories. Illustrated with excerpts from their films.

Four documentary filmmaker, four talks, four key players of the German documentary film movement since the 60s: Jürgen Böttcher, Volker Koepp, Peter Nestler und Klaus Wildenhahn. Each of them has developed an own approach and a personal style. Christoph Hübner, a documentary filmmaker himself, succeeds in portraying four very different personalities, their works and their theories. The intimate talks with the filmmakers are illustrated with clips of their films.

The Eiffel Tower, King Kong, and the White Woman: A typical magazine from the start-up period of the independent television window in private broadcast TV. All traditional possibilities for expression in film and many types of television are experimented with: Editing, collage, multiple exposure, narrative interlacing. Headless Man: Ballads and murder ballads are elemental narrative styles that are the precursor to the cinema. They relate destinies and emotion. But how do you tell about the construction work at dusk in the ruins of the Twin Towers or about Amok? Additional texts by Alexander Kluge about his work at television in the booklet and as ROM features.

Werner Schroeter's unique melodramas about love and death are fascinating amalgamations of opera, theater and cinema elements. Art and kitsch, high and low brow, Maria Callas and Caterina Valente, myths and genre elements. The 2-disc DVD set presents the first two feature-length films by Schroeter in beautifully restored versions. Additionally it offers a new reconstruction of Schroeter's legendary two-screen projection Argila and excerpts of a talk with Werner Schroeter, lead by Dietrich Kuhlbrodt during the Werner Schroeter Tribute at the Viennale 2008.

Two German silent classics dealing with soccer: Die elf Teufel (The Eleven Devils) starring Gustav Fröhlich (Metropolis) and König der Mittelstürmer (King of the Centre Forwards) starring Paul Richter (Die Nibelungen) which survived only in one print with some severe nitrate deteriotation. Both films are supplied with new music accompaniments and with subtitles in different languages. An early film document showing the 1924 soccer game Germany-Italy is added as a special feature to this 2-disc edition.

Since 1920 artist, photographer, and filmmaker Ella Bergmann-Michel lived and worked at the "Schmelz", an old paint mill near Frankfurt on Main. With guests such as Kurt Schwitters and László Moholy-Nagy the house became an important locale for modern artists. Between 1931 and 1933 she made five documentary films that constitute a rare example of socially involved and equally artistic film. The DVD contains these five films, a documentary film about the artist and a comprehensive booklet with essays on Ella Bergmann-Michel's films.

In the face of two world wars, Professor Prätorius, a philanthropist and a surgeon, wants to exterminate the one danger to mankind, the microbe of stupidity, as he states in a spontaneous lecture to his male and female students. When he tries to help a pregnant girl he gets involved more and more in her life and is forced to marry her. The melodramatic comedy was the first film by Curt Goetz after his return from America and a top hit in post-war German cinema. The DVD presents the restored original version as well as a radio play by Curt Goetz from 1947 and an interview with Valerie von Martens, his wife who performed with him in all his films and radio plays.

With films including the 'rubble woman' portrait Martha, the three-part experimental film cycle Potter's Stier, Venus nach Giorgione and Frau am Klavichord, the portrait of the artist Kurzer Besuch bei Hermann Glöckner, and also the documentaries Rangierer and Die Küche, noted for their outstanding sound and visuals, Jürgen Böttcher distances himself yet further from the didactic tone and abstract heroic representation of socialist films. In Georgien is the only full-length film that Böttcher was able to shoot on location outside of the GDR.

Facts & fakes with Peter Berling, Erich Komrowksy, Hermes Phettberg, Helge Schneider, Georg Schramm and Lilo Wanders. Freedom for the Consonants! means a radical overhaul of the spelling reform. Borderline Cases of Damage Control deals with the insurance cover of at-risk aeroplanes. And from present-day practice: Car racing in the framework of the Olympics, the problems relating to the protection of US presidents, German troops in the Himalayas, security duties for the G8 summit, resistance work against the German occupiers in Poland and finally, Christoph Schlingensief's version of 'Hamlet' and Christian Stueckl's interpretation of 'Peer Gynt'. "It is a fact that fantasy exists. However, it is fantasy that pure facts exist."

Die freudlose Gasse (The Joyless Street) is not only one of the most important films of the Weimar Republic, it is also one of the most spectacular censorship cases of the era. The story from the inflationary period in Vienna in the years immediately after World War I was considered too much of a provocation: nouveau riches currency and stock market speculators who wallow in Babylonian luxury, homeless and unemployed Lumpenproletariat living in barns, women who sell their souls for a bit of fresh meat at the butcher's, sexual orgies, bordellos and murders. This unique 2-disc DVD set offers the improved most complete restored version of the film as well as a lot of additional material including an excellent documentary about the life and work of G.W. Pabst.

A silent film about the youth of the leading German 18th century dramatist, poet, and literary theorist Friedrich Schiller (1759-1805). In 1773 he had to leave home and spent miserable years under strict discipline at the military academy of The Duke Karl Eugen, which only strengthened his longing for freedom. His first play "The Robbers" (1781) spoke of the ideas of liberty and became a landmark in German theatrical. The Filmmuseum München has now carefully restored a film that for a long time was believed to be lost. Following the conventions of the silent movie era, the positive was tinted and furnished with two new piano scores.

This double DVD holds two unusual films by Richard Blank. In Friedliche Tage, we enter a totalitarian and inhuman society, in which daily life is a series of nightmares and the protagonists search for a utopia of freedom and love. Prinzenbad gives us a microcosm of a society dominated by male power plays, wheeling and dealing, corruption, love, and eroticism. Both films dispense with established dramatic conventions, instead consolidating scenes, episodes, and stories into a grotesque roundelay of the decline of civil society.

2-disc DVD: In the first century of the third millennium, a galactic civil war is raging between governments, industrial giants and space pirates. Run for your lives! The Big Mess features space captain Douglas, the pirate couple Sterr, a space admiral and countless other characters trying to eke out a living in the cosmos. But whenever they get anywhere, they find they've been beaten to it by monopolist enterprises. In Willi Tobler and the Decline of the 6th Fleet, Willi (Alfred Edel) endeavours to survive in a world where annihilistic galactic battles rage, by taking a job at the centre of power. But it's the wrong side that he takes in this civil war.

Asta Nielsen, born in Denmark in 1881, was the first diva of European silent film. As early as 1913, in Die Filmprimadonna, Asta Nielsen acts the role of a star fighting for increased influence on the entire production process. To realize her artistic vision she founds her own company Art-Film in 1920. Hamlet, produced that same year, survived only in a b&w US export version. In 2005 a coloured vintage print of the lost German original version of 1921 was discovered. The restored film had its premiere at the Berlinale in 2007, with new musical accompaniment composed by Michael Riessler. The 2-disc DVD set also includes documentation of the production history of Hamlet, the restoration process and rare an Asta Nielsen home movie compilation.

The firmly rooted ethics of a very proper school "professor" are awfully tempted when his sister, the "black sheep" of the family, sends from her exile in Montevideo an offer for the oldest daughter, which is utterly immoral, thoroughly despicable, yet hard to refuse. Curt Goetz understood how to write comedy and how to play the parts to perfection. His film was the top hit of early post-war German cinema. The beautifully restored original version is added by an interview with Valerie von Martens, co-director, main actress and wife of Curt Goetz.

The 2-disc DVD presents for the first time an unjustly forgotten classic epic of the German silent cinema in a newly reconstructed and meticulously restored version. Shooting in Munich and its surroundings with an international cast, director Manfred Noa told the story of Helen of Troy and the decade-long war between the Greeks and the Trojans. The additional features of this DVD include the contemporary souvenir programs and stills as well as alternate scenes, rushes, foreign intertitles and outtakes.

A highly amusing court-room play full of unexpected turns in the plot and brilliant dialogue, Hokuspokus is the last film written by and starring Curt Goetz. He plays a lawyer who defends a widow, who is suspected to have murdered her husband. The end is more than a surprise. Very well directed by the master of the light comedy Kurt Hoffmann, the stage play is turned into an entertaining film which is beautifully photographed by cinematographer Richard Angst. The DVD offers the restored original version as well as a radio plays by Curt Goetz, original trailers of the Curt Goetz post-war films, and interviews with Curt Goetz and Valerie von Martens.

High on Work: We have left a heroic and post-heroic industrial age behind us. Farewell to an era when work was still abundant. Yet the adage still holds: Only work makes life real (Marx). The turbulent zones of globalization, in the cafeteria of Brecht's Theater, Helge Schneider as an unemployed woman in Spain, "working to pieces" in the concentration camps. Farewell to the safe side of life: Experiences with core activities of our time, for example skyscrapers or Chernobyl. Experts from the fire department and paramedics, engineers, and scientists tell their stories. With Durs Grünbein, Peter Berling, Igor Kostin, Victor Popov, Nikolai Tarakanov, Igor Jassenjawski, Rosemarie Tietze, and Oxana Pentak.

In Danger and Deep Distress, the Middleway Spells Certain Death: A female prostitute and thief makes her way through the city with a female GDR spy. Frankfurt, 1974. It's Carnival time. At the same time police forcibly evict students from occupied buildings). Strong-Man Ferdinand: A fundamentalist of the security forces. The chief of plant security Rieche (played by Heinz Schubert) has more proficiency in his job than his superiors permit. He needs to somehow demonstrate that his position is valuable. "The most dangerous opponents of a system are its protectors." The 2-disc DVD also offers short films, texts and short stories by Alexander Kluge.

With Jahrgang 45, Jürgen Böttcher wanted to establish a culture of film making within the DEFA which "developed authentically, straight from reality". Yet like his earlier works, Drei von vielen and Barfuß und ohne Hut, whose youthful, anti-dogmatic vitality and spirit was not 'representative' enough for the GDR culture functionaries, the film was banned. This double DVD traces its history from the censored version to its final restoration.

This adaptation of Günter Grass's novel "Cat and Mouse" was one of the first films of the "Young German Cinema" and subject of a controversial political debate. The DVD puts Katz und Maus in the historical context with rare documents in the booklet and in the ROM section. Also included are two short films by Hansjürgen Pohland and Michael Klier, a selection of photos from the set and the original recordings of Attila Zoller's famous score.

The film is based on Kafka's unfinished novel "Der Verschollene". It doesn't deal with the real United States but it is rather a kind of allegory taking place at no specific time in history. Straub and Huillet's version is about class relations and about the society that is created by capitalism, which is utterly cruel, capricious and ludicrous. This 2-disc DVD offers a film transfer supervised by the filmmakers themselves as well as two rare documentaries about the shooting, different versions of the screenplay by Straub and Huillet, unpublished rushes and photos from the shooting.

There are 80,000 operas. All these operas constitue a single great score which has faithfully accompanied the errors and achievements of bourgeois society for 400 years. The consistent application of cinematic methods the "moving details" of opera leads to surprises. In the opera house, for example, no one sees the great finales of Verdi side-by-side in one evening. No one necessarily discovers that the Grand Inquisitor in "Don Carlos" is given the same music as the murderer in "Rigoletto". Is it possible that a new genre could be born out of the encounter of opera and film? A street map of music?

War and Peace: At the peak of the Cold War, the short-range missile crisis, neutron bombs could have potentially annihilated Central Europe. 300,000 protesters in Bonn. German Chancellor Schmidt resigns. Why make a film collage about war? "Nothing is more discouraging than not being able to see through a game on which your life hinges." The Candidate: Another film collage motivated by the election campaign for the German Bundestag in 1981, where Franz Josef Strauss sought the office of the chancellor. An institution in politics falters time and again because of the reality of the Federal Republic. "Getting to a place in the sun is not easy because once you are there, it has already set." The 2-disc DVD also offers two short films by Alexander Kluge, texts by Alexander Kluge and Oskar Negt and the unpublished screenplay "Eyes from a Different Country" which was never filmed.

War Is the End Of All Plans: War is characterized by the fact that it breaches all barriers. In his book, "On War", Carl von Clausewitz describes how war dreams of its own "omnipotence". Actually, it can never be omnipotent because it is full of all the probabilities we find in real life which continually disrupt its almighty power. In the end, it is just those probabilities which devour the power of war itself but which are as ill-suited to put an end to war as a peace agreement. Where We Come From, Where We Go To: Mankind has not been wiped out by wars and disasters ("against all odds") thanks to its ancient roots. It can be assumed that, without their knowing, human beings bear a treasure endowed upon them by evolution which protects them from demise (as a guardian angel would). Evolution, which begins in outer space, is too diverse to be sabotaged by the whims of the present.

"Love and hate, how easily they break". Love stories are fundamental stories. In this realm of experience, we can test our own power of judgment. It is possible to judge political matters, which are not similarly open to intimate examination, through our knowledge of love stories. The death of Lucretia toppled the Roman monarchy. When a father is unable to protect his daughter Virgilia from a corrupt judge, he kills her. The secretive kiss of death is an instrument of power, a means to an end, for every Eastern network of agents. To be a laborer of love is the concern of a "grunt", a skillful prostitute, who provides an orderly erotic system on the oil rigs in the North Sea.

The 2-disc DVD presents the two most beautiful films shot in Germany by Max Ophüls in restored versions: The wonderful adaptation of Arthur Schnitzler's famous play Liebelei was the last film before Ophüls was forced to emigrate. The German version of the international co-production Lola Montez, shot in color and CinemaScope, remained his last movie. Additionally the DVD set features Martina Müller's highly praised documentary Max Ophüls - Den schönen guten Waren and never before published documents and out-of-print books in the extensive ROM section.

In his pictures, films, collages and installations, the painter and filmmakerLutz Dammbeck seeks a synthesis of expressive means from the genres of film and fine art. His work to date identifies him as one of the key representatives of independent film and media art in the former GDR and as a unique, outstanding phenomenon within modern contemporary art. The 2-disc DVD presents for the first time all his animation films and media works, including an extensive booklet with essays about Lutz Dammbeck's filmic work and a lot of documents about his fight with state authorities as ROM features.

2-disc DVD: The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. The Serpentine Gallery Program is a treasure trove of TV films. "He who hopes, dies singing" and other true stories.

"Images from the late 1980s in East Germany to the immediate present, 2008, in Germany. What remains besieges my head. In it, all these images come together again as something different from what they were originally intended to be. They remain in motion. They become history. The material remains incomplete. It is what I picked up, what remained important to me. My picture." (Thomas Heise) The DVD set also offers rare early works by Thomas Heise, unique and authentic images of everyday's life in the GDR, immediately banned in the GDR.

"Film should not be misused for non-filmic messages": Wilhelm and Birgit Hein examine in their films theprocess of reproduction and the film material itself. Rohfilm shows the destruction of the common "film image" and was described by Stephen Dwoskin as a "visual bombing" of shreds, fragments, dirt and leftovers of film editing. Reproductions dissolves photos in greys, 625 films a negative "snow" TV image with different speeds, in Portraits photos are changed by the development and reproduction processes. Materialfilme consists of film starting and ending leaders, the elements of every film that normally are not seen on the screen. W+B Hein's underground film classics deal with the unexplored potentials of the film material which starts to disappear in the digital world.

Two exceptional documentaries about Bernhard Kimmel, who was in the headline of German newspaper's in the 1950s because of spectacular robberies and burglaries. In 1961 he was sent to prison for 14 years, but released already in 1970. His attempt to live virtuously fails. During a burglary he kills a policeman and in 1982, he is sentenced to life imprisonment. Peter Fleischmann describes a life between Robin Hood fame and prison which also reflects a forgotten chapter of German postwar history.

This double-DVD presents two films by Gerhard Lamprecht, sketching social panoramas of late 1920s Berlin. Menschen untereinander delineates the social microcosm of a tenement building; the tenants represent a cross-section of poverty, corruption and compassion. In Unter der Laterne, the girl Else begins to follow the wrong path after an altercation with her father. The high life turns out to be the first step in a downward spiral.

One of the best German film comedies from the 30s: Lord Cavershot is totally obsessed by the historic Napoleon. His wife feels neglegted. Cavershot's participation in an international congress about Napoleon becomes his personal Waterloo. The DVD offers the newly restored version of the directorial film debut of Curt Goetz as well as a TV feature about him and an interview with his wife Valerie von Martens.

Manfred Noa's adaptation of Gotthold Ephraim Lessing's stage play is one of the completely forgotten classics of German silent cinema. It is an appeal to peace and tolerance that was violently attacked by the Nazis. The story which takes place againsr the backdrop of religious wars between Christians, Islamists and Jews in 12th-century Jerusalem shows Werner Krauss (Das Cabinet des Dr. Caligari) in one of his best roles. The Filmmuseum München has restored the only surviving elements of this silent masterpiece and researched the film's production and reception.

In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s.

In 1962, the proclamation of the Oberhausen Manifesto marked the beginning of the New German Film. This 2-dsc DVD set presents 19 short films from 1958-1964 produced, directed, photographed or edited by one or more of the filmmakers who signed the manifesto. It also includes a booklet and ROM features with essays and documents.

Die Parallelstraße is one of the most mysterious pioneer films of the New German Cinema. It was produced by GBF, a production company for innovative industrial and promotional films and received awards in inter national film festivals. French critic Robert Benayoun called it "a philosophical thriller, a western of meditation which compensates for a whole year of inevitable manifestations of stupidity," Jacques Rivette put it on his list of the most important films of 1968. The DVD presents for the very first time this "unjustly forgotten masterpiece of the New German Cinema" (Martin Brady) as well as several rare shorts by Ferdinand Khittl (1924-1976) which show his talent for innovative film experiments.

The Poetic Power of Theory: Aristotle, Heidegger, Spinoza, Marx, Nietzsche, Kant ("What Does it Mean to Orient Oneself in Thinking?"). Seven examples taken from 200 television reportage programmes. "One must take that which is of significance outside of television and introduce it into this medium without compromise." This is particularly true of the gentle violence of theory. The Gentle Cosmetics of Light: Eight one-minute films in large 65mm format. Somewhere between the 65mm film format and the tiny yet robust images of a laptop computer lies the future of film. In addition, a feature film from 2008, The Magic of the Darkened Soul, a film installation for 5 projectors and a documentary film about Alexander Kluge by Angelika Wittlich: All Emotions Believe in a Happy Ending.

A film editor's work is as essential as it is invisible. Its outcome, the finished film, is the result of weeks of concentrated labor. Frequently, in documentary filmmaking, the work's narrative structure is mainly shaped in the editing process. The editor functions as co-author, juggling and organizing the raw material at hand, and structuring the material according to principles of space and time, rhythm and composition. This extensively supplemented 2-disc DVD explores this process in a documentary feature by filmmaker Gabriele Voss, a film editor in her own right. Renowned editors, a brain researcher, as well as writer-director Alexander Kluge, talk about their work, oscillating between craft and art. Selected film clips illustrate the techniques and tricks that make up the magic of film montage.

With his "production films", from Ofenbauer, Stars, Der Sekretär and Ein Vertrauensmann to Wäscherinnen, Jürgen Böttcher emancipated himself from the conventions of Socialist Realism and placed the focus of his work inspired by Cinéma vérité and Direct Cinema on pure observation. The commissioned short films Im Pergamonmuseum and Tierparkfilm subversively tested the censors' tight restrictions. In 1977, Böttcher began his long-term collaboration with cinematographer Thomas Plenert, resulting in Im Lohmgrund.

This 2-disc DVD presents the reconstructed and restored version of The Student of Prague, one of the first German 'art films'. Based on an original script by popular writer Hanns Heinz Ewers, it tells the story of Balduin, a student who is destroyed when he sells himself to the devil. Mark Pogolski's piano recording is based on the original score by Joseph Weiss, a pupil of Franz Liszt. Daniel Grossmann conducts the Orchester Jakobsplatz playing Bernd Thewes's adaptation of the original score. Bonus features include the film's reconstructed English export version, plus The Ideal Wife, a short film also made by Ewers in 1913 which features Ernst Lubitsch.

A sanatory in the south of Germany, a room with a view to the Bavarian Alpes. Talking to the camera: Thomas Harlan, author and filmmaker, adventurer, Nazi hunter. He talks, tells stories, reflects, interrupts himself. An imaginated film: a trip through Moscow, a meeting with Hitler, " language as a cathedrale", West-Germany's rehabilitation of war criminals, protest actions, the conflicts with his father Veit Harlan, the director of the notorious antisemitic propaganda film Jud Suess. The 2-disc DVD offers the 96 minute documentary Thomas Harlan - Wandersplitter plus 160 minutes with additional interviews with Thomas Harlan and clips from his films.

The construction of the Berlin Wall on August 13, 1961, was a pivotal break in German history and had to be justified in movies produced by East Germany's DEFA studio. The 2-disc DVD set presents for the first time films by reknowned directors that tried to address topical events. Two of the films even include documentary footage shot in the summer of 1961.

This double-DVD presents two feature films by Gerhard Lamprecht which reproduce Heinrich Zille's view of the Berlin milieu ("Milljöh"). In Die Verrufenen (1925) the engineer Robert Kramer, released from prison, cannot find his way back to civilian life. He wants to end his life, but is held back by the streetwalker Emma. In Die Unehelichen (1926) three working-class children suffer under their violent foster parents, till a dramatic incident changes their lives.

Vom Reiche der sechs Punkte is an unusual silent film, produced far away from the film studios in Berlin and Munich. The story deals with a steel worker who looses the sight of his eyes and has to accept his fate. The film shows in unique documentary pictures the work and life in the homes for the blind in Cologne, Neuwied and Düren. The Filmmuseum Muenchen has restored the only surviving tinted and toned print of the film which was found in the collection of the Finnish Film Archive.

Georg Kaiser decribes in his Expressionist theater play the attempt of a bank cashier to escape his middle class daily life. Director Karlheinz Martin's adaptation transfers Kaiser's play into an Expressionist film of radical stylization. The German film industry was so irritated by the result that the film never found a distribution and was never shown in German cinemas. The only existing print of this classic survived in Japan where the film received a cinema release and was preserved by the National Film Center. The Munich Filmmuseum restored the film and added two scores transferring the visual avantgarde concept of the film into a musical structure: An improvised performance for three percussionists by the SchlagEnsemble H/F/M and a modern score for seven musicians composed and condacted by Yati Durant.

In the grand tradition of great comedians such as Chaplin or Keaton, German directors Markus Mischkowski and Kai Maria Steinkühler are also sharing the major roles in their feature film debut Westend, a laconic comedy about two unemployed friends and their unsuccessful attempts to set foot in the modern working world. The film is an inventive black and white comedy, independently produced and filmed in a suburb of Cologne. The DVD offers two more adventures of Mike and Alfred in the short films Westend (1997) and Wolga (2003).

The American minimalist poet Robert Lax (1915-2000) was a companion of the painter Ad Reinhardt and the religious philosopher and monk Thomas Merton, who had a strong influence on the poets of the beat generation. After decades of a nomadic life between America and Europe he has lived withdrawn for 30 years on the Greek island of Patmos. The present film published on this DVD is the outcome of a long-standing friendship between Robert Lax and the filmmakers Nicolas Humbert and Werner Penzel: A visual poem with beautiful black-and-white photography, added by a short film showing Lax reading his poems and by photos shot by Nicolas Humbert in 1993-1999.

The 2-disc DVD set features all films by Katrin Seybold about the White Rose and the resistance against National Socialism in Munich: Unique documents about strong personalities.

The 2-disc DVD set presents new restored versions of two rare classics by Werner Schroeter: Willow Springs was shot in a village in the Moravi desert and describes a house run by three man-eaters. In Tag der Idioten a woman experiences psychic disintegration and ends up in a mental institution. Rare short films by and about Werner Schroeter as well as stills from the shooting of Tag der Idioten are added as bonus features.