German films

There are 80,000 operas. All these operas constitue a single great score which has faithfully accompanied the errors and achievements of borgeois society for 400 years. The consistent application of cinematic methods the "moving details" of opera leads to surprises. In the opera house, for example, no one sees the great finales of Verdi side-by-side in one evening. No one necessarily discovers that the Grand Inquisitor in "Don Carlos" is given the same music as the murderer in "Rigoletto". Is it possible that a new genre could be born out of the encounter of opera and film? A street map of music?

War and Peace: At the peak of the Cold War, the short-range missile crisis, neutron bombs could have potentially annihilated Central Europe. 300,000 protesters in Bonn. German Chancellor Schmidt resigns. Why make a film collage about war? "Nothing is more discouraging than not being able to see through a game on which your life hinges." The Candidate: Another film collage motivated by the election campaign for the German Bundestag in 1981, where Franz Josef Strauss sought the office of the chancellor. An institution in politics falters time and again because of the reality of the Federal Republic. "Getting to a place in the sun is not easy because once you are there, it has already set." The 2-disc DVD also offers two short films by Alexander Kluge, texts by Alexander Kluge and Oskar Negt and the unpublished screenplay "Eyes from a Different Country" which was never filmed.

War Is the End Of All Plans: War is characterized by the fact that it breaches all barriers. In his book, "On War", Carl von Clausewitz describes how war dreams of its own "omnipotence". Actually, it can never be omnipotent because it is full of all the probabilities we find in real life which continually disrupt its almighty power. In the end, it is just those probabilities which devour the power of war itself but which are as ill-suited to put an end to war as a peace agreement. Where We Come From, Where We Go To: Mankind has not been wiped out by wars and disasters ("against all odds") thanks to its ancient roots. It can be assumed that, without their knowing, human beings bear a treasure endowed upon them by evolution which protects them from demise (as a guardian angel would). Evolution, which begins in outer space, is too diverse to be sabotaged by the whims of the present.

"Love and hate, how easily they break". Love stories are fundamental stories. In this realm of experience, we can test our own power of judgment. It is possible to judge political matters, which are not similarly open to intimate examination, through our knowledge of love stories. The death of Lucretia toppled the Roman monarchy. When a father is unable to protect his daughter Virgilia from a corrupt judge, he kills her. The secretive kiss of death is an instrument of power, a means to an end, for every Eastern network of agents. To be a laborer of love is the concern of a "grunt", a skillful prostitute, who provides an orderly erotic system on the oil rigs in the North Sea.

Ludwig II, the king of Bavaria, his famous castles and the mysterious circumstances of his death, have inspired a lot of filmmakers trhoudhout all times. This DVD set contains in newly restored versions the two surviving silents about Ludwig II. Rolf Raffé's Das Schweigen am Starnberger See focusses mainly on the relation between Ludwif II and the composer Richard Wagner while Wilhelm Dieterles Ludwig der Zweite describes the conflict between the king and his family - and was severly censored and forbidden for screenings in Bavaria. Christian Rischert's documentary Im Ozean der Sehnsucht enlightens the historical background and traces the thoughts of Ludwig II by visiting his galleries, castles and artifical grottos.

Release date: April 2009

In his pictures, films, collages and installations, the painter and filmmakerLutz Dammbeck seeks a synthesis of expressive means from the genres of film and fine art. His work to date identifies him as one of the key representatives of independent film and media art in the former GDR and as a unique, outstanding phenomenon within modern contemporary art. The 2-disc DVD presents for the first time all his animation films and media works, including an extensive booklet with essays about Lutz Dammbeck's filmic work and a lot of documents about his fight with state authorities as ROM features.

2-disc DVD: The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. The Serpentine Gallery Program is a treasure trove of TV films. "He who hopes, dies singing" and other true stories.

One of the best German film comedies from the 30s: Lord Cavershot is totally obsessed by the historic Napoleon. His wife feels neglegted. Cavershot's participation in an international congress about Napoleon becomes his personal Waterloo. The DVD offers the newly restored version of the directorial film debut of Curt Goetz as well as a TV feature about him and an interview with his wife Valerie von Martens.

Manfred Noa's adaptation of Gotthold Ephraim Lessing's stage play is one of the completely forgotten classics of German silent cinema. It is an appeal to peace and tolerance that was violently attacked by the Nazis. The story which takes place againsr the backdrop of religious wars between Christians, Islamists and Jews in 12th-century Jerusalem shows Werner Krauss (Das Cabinet des Dr. Caligari) in one of his best roles. The Filmmuseum München has restored the only surviving elements of this silent masterpiece and researched the film's production and reception.

In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s.