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One of the first gay-themed films in the history of cinema, Anders als die Andern / Different from the Others (1919) was banned at the time of its release and was believed lost. Using recently discovered film segments, still photos and censorship documents from different archives, Filmmuseum München has resurrected this truly groundbreaking silent film. The 2-disc DVD also offers a new restoration of the anthology Gefahren der Liebe / Laws of Love (1927) for which Hirschfeld himself re-edited a short version of Anders als die Andern, as well as Geschlecht in Fesseln / Sex in Chains (1928), a feature film about the sexual hardships of prisoners which was promoted by Hirschfeld.

Projects which are in preparation. Since each project released by Edition Filmmuseum includes meticulous restoration of the film, long time researches for the bonus material and often complex rights clearances, there are still no concretes release dates for these DVD's.

A sanatory in the south of Germany, a room with a view to the Bavarian Alpes. Talking to the camera: Thomas Harlan, author and filmmaker, adventurer, Nazi hunter. He talks, tells stories, reflects, interrupts himself. An imaginated film: a trip through Moscow, a meeting with Hitler, " language as a cathedrale", West-Germany's rehabilitation of war criminals, protest actions, the conflicts with his father Veit Harlan, the director of the notorious antisemitic propaganda film Jud Suess. The 2-disc DVD offers the 96 minute documentary Thomas Harlan - Wandersplitter plus 160 minutes with additional interviews with Thomas Harlan and clips from his films.

An old man is kidnapped. His interrogation uncovers the biography of a mass muderer: The 80 years old man was a SS leader and responsible for the killing of thousands of people in Russia. He also "invented" an evil technique of eliminating political prisoners: the manipulated suicide. Thomas Harlan reconstructs the history of a burocratic muderer, he also develops a direct connection between the Nationalsocialism and the treatment of prisoners of the RAF terrorists in the Stuttgart isolation prison. Robert Kramer filmed the shooting of Harlan's Wundkanal: Notre Nazi documents a social experiment in which the children of Nazis and of victims meet a real culprit. The reality seems to be stronger that the fiction in Harlan's film.