2-disc DVD: The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. The Serpentine Gallery Program is a treasure trove of TV films. "He who hopes, dies singing" and other true stories. Additionally the DVD offers early short films and texts by Alexander Kluge.
Die Macht der Gefühle / The Power of Emotion - West Germany 1983 - Directed and written by: Alexander Kluge - Cinematography by: Werner Lüring, Thomas Mauch - Edited by: Beate Mainka-Jellinghaus - Cast: Hannelore Hoger, Edgar Boehlke, Klaus Wennemann, Erwin Scherschel, Beate Holle, Suzanne von Borsody, Paulus Manker, Barbara Auer - Produced by: Kairos-Film, Munich - Première: September 17, 1983 (Neues Arri Munich)
Feuerlöscher E.A. Winterstein / E.A. Winterstein, Fire Extinguisher - West Germany 1968 - Directed and written by: Alexander Kluge - Cinematography by: Edgar Reitz, Thomas Mauch - Edited by: Beate Mainka-Jellinghaus - Cast: Alexandra Kluge, Hans Korte, Peter Staimmer,Bernd Hoeltz - Produced by: Kairos-Film, Munich
Serpentine Gallery Program - West Germany 1995-2005 - Directed and written by: Alexander Kluge - Produced by: Kairos-Film, Munich - Première: September 22, 2006 (Serpentine Gallery, London)
Minutenfilme / Minute Films - Première: 1998, SVT - Der flexible Unternehmer / The Flexible Entrepreneur - Cast: Peter Berling - Première: February 18, 2001 (RTL) - Die Liebe stört der kalte Tod / Cold Death Interrupts Love - Cast: Alexander Kluge - Première: May 29, 1995 (RTL) - Wer immer hofft, stirbt singend / He Who Hopes, Dies Singing - Première: March 14, 1999 (RTL) - Eine Frau wie ein Vulkan / A Woman Like a Volcano - Cast: Alexandra von der Weth, John Fiore, Gabriel Sadé, Jeanne Pilland - Première: October 6, 2003 (RTL) - Der Offizier als Philosoph / The Officer as a Philosopher - Cast: Peter Berling - Première: January 24, 2005 (RTL)
Rennen / Racing - West Germany 1961 - Directed by: Alexander Kluge - Written by: Paul Kruntorad, Hans Neuffer - Edited by: Bessy Lemmer - Production manager: Rolf Klug, Peter Berling - Produced by: Alexander Kluge Filmproduktion, Munich - Première: May 1961 (Cannes)
Protokoll einer Revolution / Transcript of a Revolution - West Germany 1963 - Directed by: Günter Lemmer - Written by: Alexander Kluge - Cinematographed by: Günter Lemmer, Peter A. Wortmann - Edited by: Bessy Lemmer, Tanja Schmidbauer - Produced by: Peter Berling, Munich & Alexander Kluge, Munich -Première: October 19, 1963 (Mannheim International Film Festival)
Alexander Kluge: The Power of Feeling
When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
DVD features (2 discs)
- Die Macht der Gefühle 1983, 112'
- Chapter selection
- Feuerlöscher E.A. Winterstein 1968, 11'
- Das tödliche Dreieck 2006, 1'
- ROM feature: book "Die Macht der Gefühle" by Alexander Kluge (623 pages) as PDF-File (only in German)
- Serpentine Gallery Program 1995-2005, 100'
- Chapter selection
- Rennen 1961, 9'
- Protokoll einer Revolution 1963, 12'
- Booklet with texts by Alexander Kluge
DVD edited by: Filmmuseum München and Goethe-Institut, funded by the German Federal Cultural Foundation
DVD authoring: Ralph Schermbach
DVD supervision: Stefan Drössler
First edition February 2007, Second edition August 2007