Documentaries

Walther Ruttmann is a pioneer of modern multimaedia art. His first short films are unique experiments with forms, rhythm and colors, his innovative commercials connected abstract animation art with concrete messages. The symphonic documentary Berlin, die Sinfonie der Großstadt is one of the most famous silent cassics, the travelogue Melodie der Welt became the first German sound feature film. With the radio play Weekend Ruttmann created the first "sound film without images" while his sound short In der Nacht transforms music to images and is a prototype of modern music videos. The 2-disc DVD combines for the first time all surviving works by Walther Ruttmann from 1920-1931 in newly restored and reconstructed versions, often with original scores. It also includes lobby cards, posters, programs and text documents as well as little known paintings and drawings by Ruttmann.

2-disc DVD about the origins of the cinema. Dogs playing the pianos, contortionists defying the pain limits, handcoloured serpentine dances: attractions and sensations characterize the travelling cinema of the fairgrounds in the beginning of the 20th century. Rarities from the trasure chests of the European film archives ranging from Danish anarchistic slapstick and Scottish X-ray films to French erotic piquancies and a wild chase through Brussels caused by a leopard. Local films from the region Luxembourg, Trier and Saarbrücken resent a forgotten genre which was, in its days, another crowd puller in travelling cinema: Filmed local events and scenes depicting the local people who would then pay to see themselves in "living photographs" on the big screen.

Four documentary filmmaker, four talks, four key players of the German documentary film movement since the 60s: Jürgen Böttcher, Volker Koepp, Peter Nestler und Klaus Wildenhahn. Each of them has developed an own approach and a personal style. Christoph Hübner, a documentary filmmaker himself, succeeds in portraying four very different personalities, their works and their theories. The intimate talks with the filmmakers are illustrated with clips of their films.

Since 1920 artist, photographer, and filmmaker Ella Bergmann-Michel lived and worked at the "Schmelz", an old paint mill near Frankfurt on Main. With guests such as Kurt Schwitters and László Moholy-Nagy the house became an important locale for modern artists. Between 1931 and 1933 she made five documentary films that constitute a rare example of socially involved and equally artistic film. The DVD contains these five films, a documentary film about the artist and a comprehensive booklet with essays on Ella Bergmann-Michel's films.

MGM-tycoon Louis B. Mayer called Hedy Lamarr "the most beautiful girl of the century." A psychological portrait of glamour star Hedy Lamarr who became scandalously famous in 1933 as the first nude on the screen with her appearance in the Austrian/Czech film Ecstasy. She then had an extraordinary career in more than 25 Hollywood films. Don't forget her historic patent for a torpedo guided system from 1942 which serves today as the basis for mobile phones. The documentary contains interviews with Mickey Rooney, Lupita Kohner, Kenneth Anger and many other personal friends of Hedy. Besides, the 2-disc DVD offers Hedy Lamarr's legendary scandal film Ekstase in an uncut version.

High on Work: We have left a heroic and post-heroic industrial age behind us. Farewell to an era when work was still abundant. Yet the adage still holds: Only work makes life real (Marx). The turbulent zones of globalization, in the cafeteria of Brecht's Theater, Helge Schneider as an unemployed woman in Spain, "working to pieces" in the concentration camps. Farewell to the safe side of life: Experiences with core activities of our time, for example skyscrapers or Chernobyl. Experts from the fire department and paramedics, engineers, and scientists tell their stories. With Durs Grünbein, Peter Berling, Igor Kostin, Victor Popov, Nikolai Tarakanov, Igor Jassenjawski, Rosemarie Tietze, and Oxana Pentak.

Journey to Justice tells the story of Howard Triest, a German Jew who fled Nazi Germany in 1939 when he was 16-years old, returned as an American soldier and then served as an interpreter during the Nuremberg Trial. He came face-to-face with imprisoned Nazi leaders who were co-responsible for the death of six million Jews, including Howard's parents at Auschwitz. In 1947 he bought a 16mm camera and filmed the ruins of Munich. This unique document is as bonus material on the DVD in its complete version. Parts of it are embedded in the actual film which tells the story from the viewpoint of 83 year old Howard Triest who is returning to Germany with his son Brent to visit the places of his past.

War and Peace: At the peak of the Cold War, the short-range missile crisis, neutron bombs could have potentially annihilated Central Europe. 300,000 protesters in Bonn. German Chancellor Schmidt resigns. Why make a film collage about war? "Nothing is more discouraging than not being able to see through a game on which your life hinges." The Candidate: Another film collage motivated by the election campaign for the German Bundestag in 1981, where Franz Josef Strauss sought the office of the chancellor. An institution in politics falters time and again because of the reality of the Federal Republic. "Getting to a place in the sun is not easy because once you are there, it has already set." The 2-disc DVD also offers two short films by Alexander Kluge, texts by Alexander Kluge and Oskar Negt and the unpublished screenplay "Eyes from a Different Country" which was never filmed.

War Is the End Of All Plans: War is characterized by the fact that it breaches all barriers. In his book, "On War", Carl von Clausewitz describes how war dreams of its own "omnipotence". Actually, it can never be omnipotent because it is full of all the probabilities we find in real life which continually disrupt its almighty power. In the end, it is just those probabilities which devour the power of war itself but which are as ill-suited to put an end to war as a peace agreement. Where We Come From, Where We Go To: Mankind has not been wiped out by wars and disasters ("against all odds") thanks to its ancient roots. It can be assumed that, without their knowing, human beings bear a treasure endowed upon them by evolution which protects them from demise (as a guardian angel would). Evolution, which begins in outer space, is too diverse to be sabotaged by the whims of the present.

A film editor's work is as essential as it is invisible. Its outcome, the finished film, is the result of weeks of concentrated labor. Frequently, in documentary filmmaking, the work's narrative structure is mainly shaped in the editing process. The editor functions as co-author, juggling and organizing the raw material at hand, and structuring the material according to principles of space and time, rhythm and composition. This extensively supplemented 2-disc DVD explores this process in a documentary feature by filmmaker Gabriele Voss, a film editor in her own right. Renowned editors, a brain researcher, as well as writer-director Alexander Kluge, talk about their work, oscillating between craft and art. Selected film clips illustrate the techniques and tricks that make up the magic of film montage.